Sometimes all you can do is Walk Solo Exhibition, Oriel Myrddin Gallery, Carmarthen, March - May 2019
The Beehive Quilt, an on-going engagement memorial project initiated at ‘Beat the Bugs’, Royal College of Nursing, London, July 2018
Processions 2018, The Crafts Council's commissioned artist, working with women staff of Guy's and St. Thomas's NHS Trust, April - June 2018
In The Making Inigo Rooms, Somerset House, London, June 2017
‘Mothers are Wolves…’ Maker in Focus, Oriel Wrecsam, June - July 2016
Wrangler Jacket in By A Thread, Gawthorpe Textiles Collection, May - June 2016
Gathered Again, Mission Gallery, Swansea, June - August 2016
‘Mothers are Wolves …’ Mission Gallery, Swansea, May - June 2016
Co-Respondents, Mission Gallery, Swansea, June 2014
Marking Space, Mission Gallery, Swansea, May - June 2008
Bloodline performance at Knit, Knot, Teapot at The Old Sweetshop Gallery, Southfields, London, April 2008
Conferences, Papers and Public Lectures
'Being Human in Modern Healthcare', co-curator, Florence Nightingale Faculty of Nursing, Midwifery and Palliative Care, King's College, London, July 3, 2018
'Living Threadwise: Tales of Magic String, Continuing Bonds and Transforming Space' for Textile and Place, Manchester School of Art and the Whitworth Art Gallery, April 12-13, 2018
'The Emotional Labour of Lines, Threads and Continuing Bonds' for The Sixth International Oral History Network Symposium, Helsinki, Finland, November, 2017
'On Being Close Knit: Intimacy and Exclusivity in Group Portraiture' Public Lecture, The National Gallery, London, 18 April 2016
'Touching Things: Memory, Nostalgia and the Hand Knitted Garment’ for Memory, Melancholy and Nostalgia, 4th International Interdisciplinary Memory Conference, University of Gdansk, Poland, September 17-18th 2015.
'Always in the Act of Becoming: Folds, Scissors and Cleavage in Giovanni Battista Moroni’s Il Tagliapanni' for The Erotic Cloth, Art Workers' Guild, London, March 2015 (organised by UCA and Manchester Metropolitan University).
'Soft Stuff: The ‘Super Important’ hand knitted garment as transitional object', Association of Psychosocial Studies, December 2014, University of Central Lancashire.
'Soft Stuff: Knitted Garments as Unique Object Ciphers', for The Finnish Oral History Society Annual Symposium, University of Helsinki November 2014.
Conference Chair: Artes Mundi 6, Dialogues on Conflict: Feminist Perspectives and Art Practice, 16 May 2014
'Lost and Found: Narratives of the Hand Knitted Sweater', for The Lives of Objects, Wolfson College, Oxford University, September 2013.
'The Hand Knitted Jumper, exemplar of Fashion's Agency', for Barthes, Benjamin and Fashion, Manchester University, June 2013.
'Re(a)d Knit: Body: Mother: Home', for In The Loop, Southampton University, September 2012.
Sometimes all you can do is Walk Catalogue Essay
‘Bloodline: An Experiment in Knit and Proximity, Unpublished PhD Thesis, Royal College of Art, London, 2018
'In Between: A Darker Thread', Catalogue Essay for the exhibition 'A Darker Thread' at Oriel Myrddin Gallery, Carmarthen
Folds, Scissors and Cleavage in Giovanni Battista Moroni's Il Tagliapanni, Chapter one in 'The Erotic Cloth', Bloomsbury
Folds: The Work of Ainsley Hillard Selvedge Journal Issue 36 Sep/Oct 2010 p.90
On the Edge: The Work of Muriel Clement Catalogue Essay, Mission Gallery, Swansea.
Crafts Council Parallel Practices Award October 2016 - April 2017 with The Florence Nightingale School of Nursing, Midwifery and Palliative Care at King’s College London.
King’s Artist, The Cultural Institute, King’s College, London, from March 2017 to the present
Free Range Textile Award 2002
Elizabeth Jefferies Textile Scholarship 2002
Ted and Nina Archer Prize for Law and Social Sciences 1986